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Nederlands Buitenlands   Alles  Titel  Auteur  ISBN        
Kunstuitingen: Tekenen, schilderen, muziek, architectuur..
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Reekie, Duncan

Subversion

€ 101.15

Presents a history of underground cinema, discovering the cultural roots found in nineteenth-century Paris and medieval London, but situates it as a radical and popular subculture separate from mainstream cinema and avant-garde film


Taal / Language : English

Inhoudsopgave:
List of Illustrations
vii
Foreword ix
Introduction: The Deceptive Typology of Experimental Film and Video 1(12)
ART/NOT ART
A Historical Outline of the Illegitimate Popular Tradition: Continuity and Resistance
13(21)
The History of Art, the Function of the Avant-Garde and the Rise of Modernism
34(11)
Folklore vs. Kitsch: How Art Theorised Against the Popular
45(12)
CINEMA AT THE HEART OF THE POP/ART CONFLICT
Montage Culture: Cinema as the Popular Function of Film
57(19)
The First Avant-Garde Film Movement: The Vengeance of Art
76(6)
British Independent Film 1925--66: The Rise of the State Alternative to Popular Cinema
82(20)
Amateur Cine Culture: The Hidden Continuity From 1930s Experimental Film to 1960s Underground Cinema
102(17)
THE SEARCH FOR THE COOL PLACE: UNDERGROUND CINEMA VS. AVANT-GARDE FILM
Anti-Art, Pop and Bohemia: The Bohemian Cabaret as Precursor to the Underground Cinema
119(14)
The Origins of the US Underground: The Cultural Hybrid of Popular Culture, Anti-Art and the Counter-culture
133(13)
The London Film-makers` Co-operative and the First British Underground Cinema 1966--70
146(13)
Radical Theory and Its Practice: A Demystification
159(9)
The Constitution of the Independent Sector: A Trinity of Texts -- Curtis, Gidal and Wollen
168(19)
The Underground Cinema Resurgence: From the New York Cinema of Transgression to the New London Underground 1991--2006
187(13)
Resolution: State of the Art 200(9)
Notes 209(26)
Bibliography 235(16)
Index 251
Extra informatie: 
Hardback
224 pagina's
Januari 2007
598 gram
239 x 160 x 25 mm
Wallflower Press gb

Levertijd: 5 tot 11 werkdagen