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Nederlands Buitenlands   Alles  Titel  Auteur  ISBN        
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Robert Motherwell

The Writings of Robert Motherwell

€ 51.69



Taal / Language : English

Inhoudsopgave:
Preface and Acknowledgments ix
Introduction 1(14)
Dore Ashton
Notes on Mondrian and Chirico, 1942
15(5)
Review of Art of this Century, ca. 1943
20(3)
Note on Modern Art, ca. 1943
23(1)
Preface to Apollinaire`s the Cubist Painters, 1944
24(3)
The Modern Painter`s World, 1944
27(9)
Plate Caption in Abstract and Surrealist Art in America, 1944
36(2)
Review of Calder`s Three Young Rats, 1944
38(2)
Painters` Objects, 1944
40(4)
Preface to Mondrian`s Plastic Art and Pure Plastic Art, 1945
44(2)
Personal Statement, 1945
46(2)
Review of Henry Moore`s Sculpture and Drawings, 1945
48(2)
Preface to Paalen`s Form and Sense, ca. 1945
50(3)
Statement, 1946
53(1)
Beyond the Aesthetic, 1946
54(3)
Statement, 1947
57(1)
Editorial Preface to Possibilities I, 1947
58(1)
Prefatory Note to Max Ernst: Beyond Painting, 1948
59(2)
Prefactory Note to Jean Arp`s on My Way, 1948
61(2)
A Tour of the Sublime, 1948
63(4)
Preliminary Notice to Apollinaire`s the Cubist Painters, 1949
67(2)
Preliminary Notice to Kahnweiler`s the Rise of Cubism, 1949
69(3)
Preliminary Notice to Raymond`s from Baudelaire to Surrealism, 1949
72(3)
A Personal Expression, 1949
75(6)
Reflections on Painting Now, 1949
81(4)
Abstract Art and the Real, 1949
85(1)
Black or White, 1950
86(2)
For David Smith, 1950
88(1)
Preface to Duthuit`s the Fauvist Painters, 1950
89(4)
The New York School, 1950
93(6)
Expressionism, ca. 1950
99(2)
A Statement and Introduction to the Illustrations in Modern Artists in America, 1951
101(2)
Notes on Cy Twombly, 1951
103(1)
Preface and Introduction to the Dada Painters and Poets, 1951
104(50)
Preface [``The School of New York``], 1951
154(2)
Postscript to the Preface [``The School of New York``], 1951
156(2)
What Abstract Art Means to Me, 1951
158(2)
The Rise and Continuity of Abstract Art, 1951
160(2)
Apropos ``Traditional`` and ``Modern`` Methods of Teaching Art, 1952
162(4)
Is the French Avant-Garde Overrated? 1953
166(2)
Preface to a Joseph Cornell Exhibition, 1953
168(2)
Symbolism, 1954
170(6)
The Painter and the Audience, 1954
176(4)
Of Form and Content, ca. 1954
180(1)
The Artist and Modern Society, 1955
181(4)
The Artist`s Life, 1956
185(1)
Notes on Bradley Walker Tomlin, 1957
186(2)
The Significance of Miro, 1959
188(6)
Lecture with Charles R. Hulbeck, 1959
194(4)
Statement for ``Conversations with Artists,`` 1960
198(4)
What Should a Museum Be? 1961
202(3)
Painting as Existence: An Interview with David Sylvester, 1962
205(7)
Homage to Franz Kline, 1962
212(2)
A Process of Painting, 1964
214(4)
David Smith: A Major American Sculptor, 1965
218(4)
Plate Caption for the Stedelijk Museum Catalogue, 1966
222(2)
Statement, 1967
224(1)
On Jackson Pollock, 1967
225(5)
On Rothko, 1967
230(2)
On the ``Lyric Suite,`` 1969
232(4)
Interview and Letter to Michel Ragon, 1969
236(7)
Statement on the ``Open`` Series, 1969
243(2)
Motherwell Muses, 1969
245(2)
Thoughts on Drawing, 1970
247(3)
On the Humanism of Abstraction: The Artist Speaks, 1970
250(6)
Statements Before Congress, 1970
256(10)
The Universal Language of Children`s Art, and Modernism, 1970
266(5)
On Rothko, a Eulogy, 1970
271(4)
Introduction to Cabanne`s Dialogues with Marcel Duchamp, 1971
275(5)
Statement on Radicalism in the Visual Arts, 1971
280(2)
A Recollection of David Smith and the 1950s, 1972
282(4)
Introduction to the Journal of Eugene Delacroix, 1972
286(2)
Statement on Picasso, 1974
288(1)
The New York School (and Symbolism), ca. 1976
289(1)
Art and Reality, ca. 1976
290(1)
Parisian Artists in Exile: New York 1939--45, 1977
291(17)
Provincetown and Days Lumberyard: A Memoir, 1978
308(4)
Words of the Painter, 1978
312(3)
Presentation of an Award to Erick Hawkins, 1979
315(2)
The International World of Modernist Art, 1980
317(2)
Notes for a Joyce Symposium, 1980
319(4)
In Memoriam: Anthony Smith, 1981
323(2)
Journal Entry, ca. 1981
325(2)
Reflections on Abstract Art, 1982
327(4)
Foreword to William C. Seitz`s Abstract Expressionist Painting in America, 1983
331(5)
Kafka`s Visual Recoil: A Note (For Dore Ashton), 1983
336(3)
Animating Rhythm, 1984
339(1)
Response: When is a Painting Finished? 1985
340(3)
On Not Becoming an Academic, 1986
343(3)
A Personal Recollection, 1986
346(5)
Nomination of Jasper Johns to the American Academy of Arts and Letters, 1988
351(2)
Bibliography 353(14)
Katy Rogers
List of Illustrations 367(2)
Index 369
Extra informatie: 
Paperback / softback
416 pagina's
Januari 2007
816 gram
254 x 178 x 32 mm
University of California Press us


Levertijd: 5 tot 11 werkdagen