Co-auteurs: Nicole Teeuwen en Marijke Huisman (red.)

Contents: Els Kloek, Introduction;
I: Images of seventeenth-century women: A.Agnes Sneller, Reading Jacob Cats;
A.Th. van Deursen, Jacob Cats and the married woman. A response ro Agnes Sneller;
Lia van Gemert, The power of the weaker vessels: Simon Schama and Johan van Beverwijck on women;
Marijke Spies, Not every contradiction is a contradiction. A response to Lia van Gemert;
Giesela van Oostveen, It takes all sorts to make a world. Sex and gender in Bredero's Farce of the Miller;
Maria-Theresia Leuker, Women's sphere and honour: the retorical realism of Bredero's farces. A response to Giesela van OostveenII: A social and cultural approach of women's lives: Lotte C. van de Pol, The lure of the big city. Female migration to Amsterdam;
Jan Lucassen, Female migrations to Amsterdam. A response to Lotte van de Pol;
Marybeth Carlson, A Trojan horse of wordliness? Maidservants in the burgher household in Rotterdam at the end of the seventeenth century;
Rudolf Dekker, Maid servants in the Dutch Republic: sources and comparative perspectives. A response to Marybeth Carlson;
Heidi de Mare, A rule worth following in architecture? The significance of gender classification in Simon Stevin's architectural treatise (1548-1620);
Brita Rang, Space and position in space (and time) - Simon Stevin's concept of housing. A response to Heidi de Mare;
Anne Laurence, How free were English women in the seventeenth century? Mary Prior, Freedom and autonomy in England and the Netherlands: women's lives and experience in the seventeenth century. A response to Anne LaurenceIII: Transgressing gender codes: Mirjam de Baar, Transgressing gender codes. Anna Maria van Schuurman and Antoinette Bourignon as contrasting examples;
Helen Wilcox, 'A Monstrous Shape': emblems of seventeenth-century womanhood. A response to Mirjam de Baar;
Silvia Evangelisti, Angelica Baitelli: a woman writing in a convent in seventeenth-century Italy;
Olwen Hufton, The niche of creative women. A response to Silvia Evangelisti;
Caroline Murphy, Lavinia Fontana: the making of a woman artist;
Cynthia Kortenhorst, The first truly professional female artist? A response to Caroline Murphy

Taal / Language : English

Extra informatie:  Paperback / softback Mei 2017 uitgeverij Verloren b.v.

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